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剧情简介 《恩培多克勒之死》是1987年的一部剧情片。由让-马里·斯特劳布执导，霍华德·沃侬、威廉姆·伯格、Georg Brintrup等联袂主演。恩培多克勒之死，又名Der Tod des Empedokles oder:Wenn dann der Erde Grün von neuem Euch erglänzt、The Death of Empedocles。The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
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DVD电影网评分8.0，算是一部高评分电影作品，亲们，能有此分数的电影也为数不多呀，推荐大家值得观看。
影迷点评：
JeanChristophe 说：Grave, molto moderato. 微风是大地的呼吸,这气息流过身体,它就如一架风琴鸣响.镜头不去打扰环境音-人声同出一源的应和,它永远固定,因为运动只属于从自然而来的存在者:接近2D动画多平面摄影的风格下,天光草木显现为自行隐匿的摇曳背景而与前景彻底分离,仅仅在面孔上投下那晦明变化不可把捉的一瞬.受神宠爱-被神抛弃-复归于神的恩培多克勒与敬仰他-诅咒他-挽留他的众人,进行着两组相颉颃的wiederkehren――终有一死者并非离开得太早,但和解确乎来得太迟.身为das Unheimlichste的恩培多克勒必须先交出自己,才能进入喜爱隐藏的无蔽;黑暗的大地把他吞没,复又将吐露新绿.远处有雷暴正在集聚.
空白岸 说：再次证明了音乐是最亲近电影血缘的艺术形式，看完有想要去LIVE(拍摄现场)的冲动。风，云，鸟鸣…电影作为另一种音色加入到了一段已经开始的演奏中。何时念白何时沉默，何时切出何时停留，当它们“偶然”把握住了自然的异动，我看到的是一个不断调整自身努力跟上节拍的音符，而调整本身仿佛造就了切分音的演绎，制造出一种错觉，真实的自然环境与人为的影像，谁是重音，谁落在了谁的弱拍上？ 实录声源依然是最勇敢的影像创作方式。
[] 说：1、字幕译者@ 尤利西斯の瞳；2、恩培多克勒（希腊语：Ἐμπεδοκλῆς，前490年－前430年），又译恩贝多克利，公元前5世纪的古希腊哲学家，西西里岛的阿格里根特人，他的生平富神话色彩，相传他为证明自己的神性，投进埃特纳火山而亡，但是火山却将他的青铜凉鞋喷射出来，显示他的不诚实。另一个传说是他跳进火山，向他的门徒证明他的不朽
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