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类型：剧情片 西德 1969-05-29
主演：安吉拉·温科勒 汉娜·许古拉 Martin Sperr Angela Winkler Michael Strixner Erika Wackernagel Else Quecke Hans Elwenspoek
导演：彼得·弗莱施曼
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剧情简介 《巴伐利亚打猎即景》是1969年的一部剧情片。由彼得·弗莱施曼执导，安吉拉·温科勒、汉娜·许古拉、Martin Sperr等联袂主演。巴伐利亚打猎即景，又名Jagdszenen aus Niederbayern、Hunting Scenes from Bavaria。ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
综合评分：
DVD电影网评分8.0，算是一部高评分电影作品，亲们，能有此分数的电影也为数不多呀，推荐大家值得观看。
影迷点评：
我还很小 说：为了女主和几首小曲看的，做得非常扎实，前期镜头的灵动中和了剧情的寡淡，可以算轻松版《撒旦探戈》，演员也很强，杀猪那段表演留下了很深的印象。读了影评后才知道这片居然暗含文明演化的隐喻，但无论如何，导演对人性之恶的捕捉让我错失了一部宝贵的乡村风情电影。角色们冷漠无情、相互攻讦，这些有什么意义呢，美国那些流氓作家们早写出几万页此类废纸了，而以影像复现奥斯汀笔下的乡间生活岂不更有价值？
漩涡之外 说：德国乡村令人神往的清新风景与狭隘环境下暗流涌动的人性丑恶形成强烈对比。因自我阴暗偏见对视为异己者，进行无情地孤立、嘲讽、侮辱、精神强暴。杀猪桥段精准对应暴力实施下的道德和人性“绞杀”，每一刀一斧，都是百拙千丑的集体暴行的宣泄。看似巴伐利亚地区的田园日常纪录，却在欢快的节奏里如此犀利地揭露，最后十分钟尤为触目惊心。摄影美，调度精彩。
1 说：一个小村庄看似和谐，其实保守、野蛮、残暴，或许还有点恶心。如果罪的定义权落到了人自己手里，那“罪”之成立还有何实质意义：这群人将一个无害的人变成了一个被集体疏远的凶手，然后“合法”地除去——使用的正是文明史上那套定义“疯子”/“狂人”/“病人”的知识方法。这个小村庄是整个人类、人类
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